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John Mellencamp In Context By Louis A. Zona

What is clear about the art of John Mellencamp is that his work extends the rich tradition of American expressionistic art that harks back to the painterly canvases of Robert Henri (1865-1929) and the so called Early Modernists that flourished in the early part of the 20th Century. The Butler's "The Little Dancer' from 1916 reveals the rich and highly textured handling of paint the has its roots in Vincent Van Gogh's impasto surfaces often achieved with finders and palette knives. 

 Also in the collection is Marsden Hartley's (1877-1943) "Birds of Bagaduce" that brought to America the expressionistic fevor of German Expressionist art that helped define Modernism in the early part of the century. Marsden Hartley would have identified strongly with the social relevance of so much of John Mellencamp's art, its social commentary, its exaggerations and its humor. 

Robert Henri (1865-1929), The Little Dancer, 1916-1918, Oil on Canvas

The Island Packet: John Mellencamp is rocking Daufuskie. But not in the way you think

Daufuskie Island has always offered different strokes for different folks.

Now those different strokes have gone big and bold in the form of a
self-portrait by part-time islander John Mellencamp.

He’s known to the world as the Rock and Roll Hall of Famer.

But it is as a visual artist that the star has chosen to join 25 other Daufuskie
artists now displaying their work at the Coastal Discovery Museum on Hilton Head
Island.

“I’m thrilled that he chose to be a part of our show,” said its organizer, Jenny
Hersch of Daufuskie. “We asked if he would participate, and he said, ‘I’m a
Daufuskie artist’ and the piece arrived from Indianapolis.”


Today's Featured Painting

Fairmount,         2017,         48 x 35,         Mixed Media on Plywood

Fairmount

2017

48" x 35"

Mixed Media on Plywood

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