I grew up in Seymour, Ind. The first place we lived was on Fifth Street. It was nothing special—just a small one-story home they built for vets returning from World War II. My two brothers and I lived in the basement. My father, Richard, fixed up a section for us with wood paneling and ugly linoleum on the concrete floor.
We had triple bunk beds. I was the middle kid, so I got the middle bunk. There was a TV, and the windows were at ceiling level.
My mother, Marilyn, was a homemaker. Later, she delivered mail to keep busy. She was very pretty, and had been a runner-up in the Miss Indiana pageant in '46. She loved to paint and did so each day, in between dealing with us. My dad created a studio space for her in the basement, too. When I was little, I'd paint on top of her work. That pissed her off.
"Like the characters in the Steinbeck and Faulkner novels he admired in his youth and the dustbowl inflected songs of Woody Guthrie, he paints about alienation and struggle more than joy or ease..."
His latest body of work will soon be on view at ACA Galleries in New York, an institution that has been supporting artists in diverse disciplines with singular points of view for over 80 years. Titled John Mellencamp: Life, Death, Love, Freedom, the exhibition will bring together two bodies of work: Mellencamp’s sculptural assemblages and series of portraits. This will be his second solo exhibition with the gallery. Click HERE to read the article online and view some of the paintings that are part of the exhibit.
“Mellencamp paints handsomely grotesque portraits in oil that are as solemn and stirring as his hit songs are catchy and inspirational -- depicting existential scenes and human beings ridden with the angst of the everyday” notes critic Doug McClemont..."
The singer is unveiling over 25 new artworks, reflecting on the political climate of the past and present, injustice and oppression.